Reviewed in Third Text: UoM Student Lucas Nieboer on ‘White Psyche’ at The Whitworth Gallery
Congratulations to Lucas Nieboer, currently a third year student in Art History and Visual Studies at UoM, for publishing his…
Who’s Laughing Now: Humour as Cultural Resilience in Contemporary Art by Janelle Hixon
Report on the November 2020 Lecture, ‘Humour and the Commodification of Suffering: Strategies of Cultural Resilience in Contemporary Art’ by…
Cloth turned people into objects by Molly Lewis
Report on the November 2020 Lecture, ‘Vision and Value: Cotton and the Materiality of Race’ by Anna Arabindan-Kesson, assistant professor…
Modernity as ‘Echo Chamber’: Prof. Craig Clunas on early twentieth-century Chinese art
Report on the 2020 Pilkington Lecture, ‘The Modernity of Chinese Art in the Early Twentieth Century’ by Craig Clunas, Professor…
Teaching spotlight: Art in Medieval Books
This semester, Dr Anne Kirkham has been teaching a Level 3 course on Art in Medieval Books. The course introduced…
Event report – The Artist of the Future Age: William Blake, Neo-Romanticism, Counter-Culture and Now
Student interns Ami Savage and Marnie Parker write: Earlier this month, guests from Art History and English Literature backgrounds came…
Imogen Delbourgo: My Experience at Sotheby’s Summer Institute of Art
Art History student Imogen Delbourgo writes: I applied for the bursary to study at Sotheby’s Summer Institute of Art on…
Autumn 2019 Research Seminars & Events
We’re delighted to announce our research seminars & events for autumn 2019. All are welcome, and booking is not required…
Survey about digital editions of correspondence — Lives of Letters
Do you use digital editions of correspondence in your research? Our very own Naomi Billingsley and her colleague Lisa Gee…
