This semester, Dr Anne Kirkham has been teaching a Level 3 course on Art in Medieval Books. The course introduced…
Event report – The Artist of the Future Age: William Blake, Neo-Romanticism, Counter-Culture and Now
Student interns Ami Savage and Marnie Parker write: Earlier this month, guests from Art History and English Literature backgrounds came…
Imogen Delbourgo: My Experience at Sotheby’s Summer Institute of Art
Art History student Imogen Delbourgo writes: I applied for the bursary to study at Sotheby’s Summer Institute of Art on…
Autumn 2019 Research Seminars & Events
We’re delighted to announce our research seminars & events for autumn 2019. All are welcome, and booking is not required…
Survey about digital editions of correspondence — Lives of Letters
Do you use digital editions of correspondence in your research? Our very own Naomi Billingsley and her colleague Lisa Gee…
“Ruskin Matters”, 20 March 2019, by Cicely Spence
Ruskin Matters, held at the Whitworth, attracted an audience of over eighty people from the North West. As explained by…
Peggy Guggenheim and the Origins of the Guggenheim Venice, by Millie Cluzan
After returning from her summer as an intern at the Guggenheim Collection in Venice, our third-year student Millie Cluzan discuss…
Unlocking Special Collections for Teaching and Learning, feat. Dr Uglow
via Unlocking Special Collections for Teaching and Learning
‘Not New York?’, by Ellen Blocksidge
During the late 1970s, a new constellation of countercultural venues began to emerge in downtown New York. Integrating music, performance…
‘Research Network for Visionary Art and Visionary Objects’, by Stefania Olafsdottir
I know that This World Is a World of Imagination & Vision I see Every thing I paint In This…
