Isabel Dibden-Wright’s Sashiko Workshop on 18 April at the Whitworth was the perfect introduction to such a beautiful craft. Firstly, we were familiarised with the traditional practice of Sashiko and were given the opportunity to view vintage and modern examples of the intricate designs used throughout Japan, such as its use in clothing and noren (cloth room dividers). There were many designs that we could use as a template and I personally went with a floral theme, choosing a chrysanthemum (fan) and a Sakura pattern!
The basic Sashiko technique was very easy to pick up, no matter your sewing ability; tracing a pattern and following the lines with a simple running stitch. These simple lines and curves can be built up to create complex geometric patterns, but no matter the level of complexity, these designs look super effective, especially when completed in the traditional white Sashiko thread on a navy-blue background. As you got further into the sewing rhythm, the stitches would become more uniform, so it was beneficial that we had the option to create multiple studies. Even though I am far from perfecting the technique, I am really happy with the outcome of my attempts at Sashiko. From my small studies I have created two small wall hangings in the style of noren by adding bamboo dowel and string to the top of the fabric backing.
I really enjoyed the workshop and Sashiko is definitely something that I am motivated to continue with and practice at home. I believe that it would work brilliantly as an act of mindfulness and would strongly encourage others to give it a go. Many thanks to the Friends of the Whitworth for the sponsorship of four student places on the Sashiko Workshop.
Arianna Lowery,
Second-year undergraduate, BA History of Art.
Dispatches in Art History 